by Last Yearz Interesting Negro (UK)
with Lily Fernanda Muñoz-Newsome (UK)
«Last Yearz Interesting Negro» is the name used by Jamila Johnson-Small, whose work considers the immediacy of the gaze and puts forward the idea that looking creates meaning. They focus on steering or directing this gaze, rather than evading it and their interest in grappling with an invasive gaze can be traced back to the intense scrutiny that dancers’ bodies are placed under during formal training. Arms, hips and legs. The back arched and the torsos twisted. This fetish of the body, a scopophilic pleasure in looking at how impressively a dancer moves, is mapped onto the social constructs that dictate how each body moves through the world. Johnson-Small navigates the overlap between cultural signifiers and what a specific body, on a musculoskeletal level, is prepared to do and questions what effect it has on how the body moves.
Johnson-Small’s alias – Last Yearz Interesting Negro – is a sarcastic reprise of a scene in Julian Schnabel’s biopic Basquiat (1996) that reflects on the tendency for white cultural workers’ (gallerists, curators, critics) to display fleeting excitement over a particular black artist, only to lose that interest in place of the next hot trend. The alias reflects on being gazed upon, too, if not for more than a moment.
On the occasion of the presentation at Cabaret Voltaire, Last Yearz Interesting Negro will stage a site-specific intervention.
This «Fun & Fury!» Performance Dienst-Tag / To-Do's Day is part of the program It Takes All The Fucking Time curated by Michelangelo Miccolis (IT)
Entrance fee: CHF 10.- (Cabaret Voltaire Members: free!)
Image: Last Yearz Interesting Negro, FuryZ 2018. Commissioned by Block Universe in partnership with Gaia Art Foundation. Image by Anne Tetzlaff.
Jamila Johnson-Small (UK)
Trained in Contemporary Dance and working with choreography, video, sound and sculpture, Jamila Johnson Small (London, UK) is interested in building atmospheric landscapes through the live unfolding of the tensions between things that produce meaning. Of Caribbean descent, born and based in London she has formed long term collaborations with other artists including Project O with Alexandrina Hemsley, immigrants and animals with Mira Kautto. More recently she performs in work by Fernanda Munoz-Newsome, collaborates with Rowdy SS, runs HOTLINE with Sara Sassanelli, and GUSH with David Panos, a semi-regular low-key DIY event.